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Burn
Praise for Burn
"Burn, Jennifer Natalya Fink's fictional debut, is without a doubt the best first novel I have read in a long, long time. Not only does its prose sing sear spit howl and fly off the page, it tells the story of a beautiful boy (or something), and a paranoid (with good reason) middle-aged commie pinko. I am actually going to recommend this book to friends."
"Fink's amazing writing suspends the reader in a seamless erotic tragedy. The dialectic of class warfare and sexual rebellion has never come together more powerfully. Burn deserves to be recognized as a literary classic."
"Historically illuminating and intellectually charged, Burn introduces a unique and important literary talent. I guarantee you have never before read a novel quite like Burn—prepare yourself for a suspenseful, fascinating ride."
"Why Simon smells like lemons is never explained. Nor is the gravity of his pissing on the breasts of Mrs. Edelman as she lies naked in the dirt beside her tomatoes. Nor, brilliantly, is the logic that binds this filthy, mute boy to his middle-aged, widowed lover (though 'lover' seems far too sentimental a word for an attraction as blunt and giddy and elemental as theirs). That she tastes lemon and then metal on his skin is, in this book, as vital and deeply relevant as the circumstances surrounding them—the systematic destruction of Communism in America, and their destruction with it. This is a haunting, timely, and beautifully unresolved novel."
“Burn, Jennifer Natalya Fink's debut novel, certainly slithers up on you. Its premise involves 1950s McCarthyism, Jewish socialism, menopause--and, more fantastically, creation myth. But those preoccupations belie a meatier, more deliciously perverse set of influences.”
"Fink manages the cultural uncertainty of the outsider and dissenter in the material deftly by presenting not only a Communist heroine but one that is Jewish as well in a time that prized greater homogeneity. She gives us a beautiful and believable voice in Sylvie, the narrator, who moves in the heightened paranoia of the McCarthy era with both caution and the realization that this is just her every day. She has her doubts but holds to the threads of old belief even as they are torn, and as she enters into an illicit sexual relationship."
"Though something about Simon is certainly off, it's exquisitely impossible to distinguish between his true attributes and Sylvia's greedy interpretations. As the mismatched couple (half menopausal immigrant, half sour-lemon-scented male simulacrum) eats and talks and fucks, the lightning rod of their unusual love story gathers and focuses the big themes that course through the primordially messy novel, transforming the electric charge of abstraction into something tangible, accessible, and human."
"Jennifer Natalya Finks’s Burn is a pointed parable for dangerous times. Set in 1953, it chronicles the collapse of an upstate New York collective, a communist enclave that is dwindling down to a puff of paranoia. Federal agents seem to be crouching at the periphery, just out of view."
“Fink's provocative and ambitious novel could not have been released at a better time. As politicians grapple with ways to curtail civil liberties and concoct ways to monitor activities deemed suspicious, a book that revisits the McCarthy era seems prescient.
“It's not every day one gets to meet a middle-aged communist widow who carries on an affair with a 13-year-old boy and evades FBI agents like the plague. But in Jennifer Natalya Fink's frustratingly compelling novel about McCarthyism, Jewish Socialism, and pedophilia, that's just what you get. Sylvia Edelman is a frumpy woman in her 50s who resides in a shack of a house in a Jewish socialist colony in Peekskill, N.Y., where political ideals are shouted out like gospel and "capitalist pigs" are regarded as the enemy. But in June 1953, in the age of the McCarthy trials and blacklisting, the colony is riddled with paranoia, and what was once a haven of political idealism and freedom has turned into a hotbed of suspicion and fear. It is into this troubled environment that a teenage boy shows up naked and mute in Sylvia's precious tomato garden, where he proceeds to urinate on her plants and then slink off when Sylvia spies him. Before long, though, this strange child not only works his way into Sylvia's home, but her bed as well, and Fink's allegorical retelling of the Adam and Eve myth really kicks in, complete with lyrically haunting sexual passages and hints of impending doom."
release: August 2003
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