Suspect Thoughts Press


35 Cents


Americano


Attack of the Man-Eating
Lotus Blossoms


The Beautifully Worthless


The Best of the Best
Meat Erotica


Black Shapes
in a Darkened Room


Bullets & Butterflies


Burn


Butch Is a Noun


Everything I Have Is Blue


The Forgotten Ones


Girl on a Stick


A History of Barbed Wire


I Do/I Don't


Invert(e) [journal]


Invert(e) [blog]


Jesus and the Shamanic
Traditon of Same-Sex Love


Johnny Was
& Other Tall Tales


Killing Me Softly


Mortal Companion


My Name Is Rand


Of the Flesh


One of These Things
Is Not Like the Other


Origami Striptease


Out of Control


Pink Steam


Pulling Taffy


The Rapture for Big Sinners


Rode Hard, Put Away Wet


Roulette


Satyriasis


A Scarecrow's Bible


Some Phantom/No Time Flat


Sugar


Supervillainz


suspect thoughts:
a journal of subversive writing


Sweet Son of Pan


Toilet


V


The Wild Creatures


Alternaqueerbooks.com

 

 


Burn

a novel by
Jennifer Natalya Fink

Praise for Burn

"Burn, Jennifer Natalya Fink's fictional debut, is without a doubt the best first novel I have read in a long, long time. Not only does its prose sing sear spit howl and fly off the page, it tells the story of a beautiful boy (or something), and a paranoid (with good reason) middle-aged commie pinko. I am actually going to recommend this book to friends."

—Rebecca Brown

"Fink's amazing writing suspends the reader in a seamless erotic tragedy. The dialectic of class warfare and sexual rebellion has never come together more powerfully. Burn deserves to be recognized as a literary classic."

—Patrick Califia

"Historically illuminating and intellectually charged, Burn introduces a unique and important literary talent. I guarantee you have never before read a novel quite like Burn—prepare yourself for a suspenseful, fascinating ride."

—D. Travers Scott

"Why Simon smells like lemons is never explained. Nor is the gravity of his pissing on the breasts of Mrs. Edelman as she lies naked in the dirt beside her tomatoes. Nor, brilliantly, is the logic that binds this filthy, mute boy to his middle-aged, widowed lover (though 'lover' seems far too sentimental a word for an attraction as blunt and giddy and elemental as theirs). That she tastes lemon and then metal on his skin is, in this book, as vital and deeply relevant as the circumstances surrounding them—the systematic destruction of Communism in America, and their destruction with it. This is a haunting, timely, and beautifully unresolved novel."

—Matthew Stadler

Burn, Jennifer Natalya Fink's debut novel, certainly slithers up on you. Its premise involves 1950s McCarthyism, Jewish socialism, menopause--and, more fantastically, creation myth. But those preoccupations belie a meatier, more deliciously perverse set of influences.”

—Brian Pera, The San Francisco Bay Guardian Lit Section

Read the full review here.

"Fink manages the cultural uncertainty of the outsider and dissenter in the material deftly by presenting not only a Communist heroine but one that is Jewish as well in a time that prized greater homogeneity. She gives us a beautiful and believable voice in Sylvie, the narrator, who moves in the heightened paranoia of the McCarthy era with both caution and the realization that this is just her every day. She has her doubts but holds to the threads of old belief even as they are torn, and as she enters into an illicit sexual relationship."

—N. A. Hayes, Pop Matters

Read the full review here.

"Though something about Simon is certainly off, it's exquisitely impossible to distinguish between his true attributes and Sylvia's greedy interpretations. As the mismatched couple (half menopausal immigrant, half sour-lemon-scented male simulacrum) eats and talks and fucks, the lightning rod of their unusual love story gathers and focuses the big themes that course through the primordially messy novel, transforming the electric charge of abstraction into something tangible, accessible, and human."

—Annie Wagner, The Stranger

Read the full review here.

"Jennifer Natalya Finks’s Burn is a pointed parable for dangerous times. Set in 1953, it chronicles the collapse of an upstate New York collective, a communist enclave that is dwindling down to a puff of paranoia. Federal agents seem to be crouching at the periphery, just out of view."

—Joel Barker, Word Riot

Read the full review here.

“Fink's provocative and ambitious novel could not have been released at a better time. As politicians grapple with ways to curtail civil liberties and concoct ways to monitor activities deemed suspicious, a book that revisits the McCarthy era seems prescient.

Set in the fictitious Sylvan Lake Collective Colony, a small upstate New York settlement of Jewish former-Brooklynites active in the Communist Party, Burn focuses on the Party's decline. Meetings are rendered in rich, evocative prose. Indeed, readers will vicariously experience the incessant bickering of Colony members as they try to decide how best to deal with FBI probes, overt and covert surveillance, and the ongoing desire to foment revolution.

At the center of the tale is Sylvia Edelman, a savvy, menopausal widow and passionate gardener. Sylvia tends her tomatoes and zucchini tenaciously, eagerly groveling in the mud and grime. Although many Colonists are leaving the community for safer suburbs, Sylvia intends to stay put, growing her vegetables and living simply. This plan goes awry, however, when out of nowhere, a young boy--naked except for dogtags indicating that his name is Simon--shows up on her plot of land. Is he a government agent? A runaway teen? Or simply a kid who has lost his way?

In short order, Sylvia and Simon become lovers. While there is no question that this is pedophilia, the literary mix of sex and politics works. Simon, a male Lolita, arouses Sylvia to heretofore unimagined lust; because he is mute, the comfort he offers is enveloping and complete. Throughout the novel, McCarthy's efforts to eviscerate "the enemy within," are juxtaposed with Sylvia's attempts to distract herself from worldly concerns. But Burn is about more than one woman's escape from the machinations of tyrannical leaders. In fact, the novel addresses the impact of government surveillance on both leftists and the apolitical, and interrogates the meaning of personal loyalty, sexual propriety, and civic commitment. The result is wise, timely, and often amusing.

Despite the humor, Burn offers a serious message: When human rights and civil liberties are sacrificed to knee-jerk patriotism, everyone suffers. Read it and be reminded."

—Eleanor J. Bader, Lilith Magazine

“It's not every day one gets to meet a middle-aged communist widow who carries on an affair with a 13-year-old boy and evades FBI agents like the plague. But in Jennifer Natalya Fink's frustratingly compelling novel about McCarthyism, Jewish Socialism, and pedophilia, that's just what you get. Sylvia Edelman is a frumpy woman in her 50s who resides in a shack of a house in a Jewish socialist colony in Peekskill, N.Y., where political ideals are shouted out like gospel and "capitalist pigs" are regarded as the enemy. But in June 1953, in the age of the McCarthy trials and blacklisting, the colony is riddled with paranoia, and what was once a haven of political idealism and freedom has turned into a hotbed of suspicion and fear. It is into this troubled environment that a teenage boy shows up naked and mute in Sylvia's precious tomato garden, where he proceeds to urinate on her plants and then slink off when Sylvia spies him. Before long, though, this strange child not only works his way into Sylvia's home, but her bed as well, and Fink's allegorical retelling of the Adam and Eve myth really kicks in, complete with lyrically haunting sexual passages and hints of impending doom."

—Ken Knox, Frontiers Newsmagazine

release: August 2003
fiction
softcover, 5X8
216 pages
$16.95
0-9710846-8-8

 

 

Alternaqueerbooks.com Contact UsGreg WhartonIan PhilipsInvert(e) Blog
suspect thoughts journalSuspect Thoughts PressSubmission Guidelines